Pilot Biography

L E Morey TAA Pilot

L E Morey TAA Pilot: discover the singular life history of the accomplished concert violinist who traded the recital stage for the cockpit of TAA's long-range DC-4 Skymasters.

L E Morey TAA Pilot — official portrait.
L E Morey TAA Pilot — official portrait.

TAA DOUGLAS DC-4 SKYMASTER PILOT

L E Morey TAA Pilot: A Musical Captain

It seems a far cry from the concert platform to the cockpit of a big Douglas DC-4 Skymaster, but for Len Morey — then a 28‑year‑old, cheery, red‑haired TAA skipper — the change was a deliberate and life‑defining decision. He became one of the many post‑war pilots whose skills and character helped build Trans‑Australia Airlines into a trusted national carrier.

Leonard Morey A.L.C.M., L.L.C.M. (Associate and Licentiate of the London College of Music) gave away his fiddle, which had been his life study and later his profession, to take on flying for two reasons: the limited prospects for a professional musician in the 1930s, and the looming reality of war in Europe and the Pacific.

 

Early Life

From Musician to Aviator

Len began learning the violin at the age of five. By the time he was 20 he had an enviable reputation as a musician, a music class of 26 budding violinists, and his own string quartet. For a young man from Sydney, this was a remarkable achievement and placed him firmly within the city’s classical music circles.

He studied under Professor Jack West and Carl Boehm (who later founded the Junior Symphony Orchestra in Sydney), and he frequently played in the Sydney Conservatorium and the Town Hall. These venues were central to Sydney’s musical life, and performing there signalled that Morey was regarded as a serious and capable musician.

Yet he found that the fees from his pupils barely provided a meagre existence, and the string quartet was equally unsuccessful for a less material, but equally valid, reason: there were limited opportunities for chamber music in Depression‑era Australia, and audiences were small. To a keen musician, the future did not look very hopeful — either economically or artistically.

At the same time, the international situation was deteriorating. War clouds were gathering, and aviation was rapidly advancing. This became the second reason why Len exchanged his musician’s evening dress for the jaunty uniform of an airline skipper: he saw in flying both a new challenge and a way to contribute to the coming war effort.

Len had learned to fly as a hobby at the Sydney Aero Club in 1939, one of several civilian flying schools that trained many of the pilots who would later serve in the RAAF or in civil airlines. He now decided to devote more time — and all his available cash — to flying.

After running up about 150 hours, he joined a commercial airline. From that point, the violin was set aside. The cockpit, rather than the concert platform, became his professional stage.

Wartime Service

Flying Through the War

Most of his wartime flying was done under charter to the Australian Government and the United States Directorate of Air Transport. These operations were mainly between Australia and the islands of the North‑West Pacific — routes that were vital for moving personnel, supplies and equipment in support of Allied operations.

Wartime regulations allowed higher annual flying limits than in peacetime. With restrictions eased to around 1,400 hours per year (compared with the later standard of about 1,000 hours), Len accumulated an impressive number of hours in the air. This experience, gained in demanding conditions, would later make him a highly valued captain in civil aviation.

He flew a variety of aircraft, including Airspeed Envoys, Percival Q6s and Lockheeds. These types were typical of pre‑war and wartime transport fleets — relatively small, often unpressurised aircraft that required careful handling and strong navigational skills, especially on long over‑water sectors in the Pacific.

In September 1946, shortly after the end of the war, he joined the newly formed Trans‑Australia Airlines. TAA had been created by the Australian National Airlines Commission to provide a modern, national air service across the continent. Morey’s combination of wartime experience and civil flying made him an ideal recruit.

Within a few months he was appointed a captain of the big four‑engined Douglas DC‑4 Skymasters. The DC‑4 was TAA’s long‑range workhorse in the late 1940s, used on major trunk routes and longer services where its range and reliability were essential. Commanding such an aircraft was a significant responsibility and a mark of the airline’s confidence in his ability.

In the 10 years he had been flying, Captain Morey had logged over 7,000 flying hours — a substantial total for the era, reflecting both his wartime service and intensive post‑war airline flying.

Flying was his whole life. He became an energetic representative to the Australian Air Pilots’ Association (then representing airline pilots), contributing to discussions on safety, working conditions and professional standards. Like many of his colleagues, he saw piloting not just as a job, but as a profession that required discipline, judgement and continuous learning.

His hobby was not the obvious one. He rarely touched the violin, despite his earlier achievements. For recreation he played squash — as did many pilots, who valued the sport for its fitness and quick reflexes — and he was regarded as one of the best players among TAA aircrews.

Captain L. E. Morey’s story captures a broader truth about TAA’s early years: the airline was built by men and women who brought with them rich and varied backgrounds — in music, engineering, the services and civilian life — and who channelled those talents into creating a safe, reliable and modern air service for post‑war Australia.

Career

Joining Trans-Australia Airlines

In September 1946, shortly after the end of the war, he joined the newly formed Trans-Australia Airlines. TAA had been created by the Australian National Airlines Commission to provide a modern, national air service across the continent. Morey's combination of wartime experience and civil flying made him an ideal recruit.

Within a few months he was appointed a captain of the big four-engined Douglas DC-4 Skymasters. The DC-4 was TAA's long-range workhorse in the late 1940s, used on major trunk routes and longer services where its range and reliability were essential. Commanding such an aircraft was a significant responsibility and a mark of the airline's confidence in his ability.

In the 10 years he had been flying, Captain Morey had logged over 7,000 flying hours — a substantial total for the era, reflecting both his wartime service and intensive post-war airline flying.

Flying was his whole life. He became an energetic representative to the Australian Air Pilots' Association (then representing airline pilots), contributing to discussions on safety, working conditions and professional standards. Like many of his colleagues, he saw piloting not just as a job, but as a profession that required discipline, judgement and continuous learning.

His hobby was not the obvious one. He rarely touched the violin, despite his earlier achievements. For recreation he played squash — as did many pilots, who valued the sport for its fitness and quick reflexes — and he was regarded as one of the best players among TAA aircrews.

Legacy

More Than a Pilot

Captain L. E. Morey's story captures a broader truth about TAA's early years: the airline was built by men and women who brought with them rich and varied backgrounds — in music, engineering, the services and civilian life — and who channelled those talents into creating a safe, reliable and modern air service for post-war Australia.